Wednesday, July 28, 2010

Final Magazine Cover


For the final magazine cover design, I chose to do a hybrid of a poster cover and "pictures married to type." My magazine is a mimic of Smithsonian which is one of the few magazines with minimal text on its covers. It caters to a well educated, affluent audience, and the confidence in its cover design reflects that.

The cover picture is a photo I took at the Monterey Bay Aquarium. It's one of the best photos I've taken, so I knew I didn't want it cluttered with any other graphics. I wanted to keep the bottom right-hand corner bare because that space is typically used for the name and address of the subscriber. Still, I added a banner as an alternate version so it lures your eye diagonally from the top left-hand corner with the jelly fish to the bottom (and hopefully into the magazine).

Selecting the appropriate text was the most difficult. I wanted the text to differentiate from the title, but still compliment the overall look. I wanted the main story to pop, so I added an ocean ripple effect and gradient overlay. Simple, clean, yet enticing was my goal, and I think I achieved just that.

Saturday, July 24, 2010

Text as a Clipping Mask


This image is derived from a photo I took at the Coca-Cola shop in Las Vegas. I wanted to emphasize the brightness of colors from the variety of sodas, which resulted in a very 1980s motif.

Friday, July 23, 2010

Pop Dots


I desaturated a photo I took of Big Ben and used the Pop Dots technique against a purplish-blue background.

Color Range & Quick Mask

Photoshop Plug-Ins


I downloaded the Auto FX Dreamy Photo Plug-In. I did not find the process of finding a quality plug-in very rewarding. In the time it takes to a useful plug-in and to install it properly, I probably could have found some other way within Photoshop to create the same effect. Even so, I still liked the results of this particular plug-in with a photo I took at Vasona Lake Park. The plug-in creates a dream-like haze, but I felt it gave this particular photo a vintage feel, so I aimed for an old postcard look by adding the gray boarders. Overall, the photo has a more ethereal quality that makes it more interesting an appealing.

Wednesday, July 21, 2010

Surrealist Image


To be quite honest, I am not a fan of Surrealist artwork. As simple as it appears, I worked a lot on this image. I used the Pen Tool to create the outline of a plastic coffee cup and straw along with the free-form shape above it. I used Vectors for the heart, spade, club, and diamond. Take from it what you will :)

Saturday, July 17, 2010

Midterm Collage



Millions of people around the world are familiar with the classic animated films of the Walt Disney Company. They have become embedded in the fabric of American culture and in the childhood memories of generations of families, including mine. For my midterm project, I want to focus on the movie that is the foundation of Disney animated film, Snow White and the Seven Dwarves (1937). Based on Grimm’s Fairy Tale, Disney’s adaptation combined innovative technology and timeless storytelling to create a formula that appeals to audiences of all ages.
Snow White and the Seven Dwarves was a pioneering project for the motion picture industry on many fronts. Not only was it the first feature-length animated film, it was also the first animated film completed in color. Taking on such an innovative endeavor was met by skepticism amongst some critics, calling it “Disney’s Folly.” Producing and implementing the new technologies required to bring the film to fruition was only one challenge. Another element to consider was how to effectively translate an animated story and create characters audiences will care about. One technique used to accomplish this was the decision to produce the film similarly to an operetta, using musical themes and songs throughout the movie. The risk paid off in monumental way with Snow White becoming the largest grossing film of its time and garnered Disney a special Oscar as well as seven miniature Oscars. The elements used in Snow White would set the foundation for Disney films for years to come.
With my montage I hope to provide a sense of nostalgia while demonstrating the rigor of the animation process. What was revolutionary process a mere seventy years ago, is now thought of as a traditional means of animation compared to modern computer generated characters, therefore I want the montage to have a vintage appeal. Being that Snow White was the first full-color animated film, color will also be a large component in creating that classic Disney appeal. The main message I want to convey is the importance of storytelling and the whimsy of fairytales that captivates audiences.
Thanks to the number of Disney fans, there are an abundance of online resources to draw from for this project. To incorporate the animation process, I found sketches of a particular scene with the Seven Dwarves. 


Written Sources:
Disney: The Ultimate Visual Guide, A Dorling Kindserley Book
http://www.time.com/time/printout/0,8816,758747,00.html
http://en.wikipedia.org/wiki/Snow_White_and_the_Seven_Dwarfs_(1937_film)


Graphic Sources:
http://www.michaelspornanimation.com/splog/?m=200701
http://www.michaelspornanimation.com/splog/?p=1775
http://www.michaelspornanimation.com/splog/?p=934
http://www.vegalleries.com/disopc.html#sno
http://magicalscreencaps.com/images/snowwhite/gallery.php?page=1